Bronenosec Poťomkin
Battleship Potemkin
Battleship Potemkin
Battleship Potemkin
Director:
Serguéi EisensteinMúsica:
Edmund MeiselStreaming (1)
Sinopsis(1)
Planeado por el Comité Central Soviético para coincidir con las celebraciones del vigésimo aniversario de la fallida Revolución Rusa de 1905, esta película fue dirigida por un joven realizador de 27 años llamado Sergei Eisenstein, que concibió todo el film en un guión de un sola página, y que además era parte de una serie de 8 películas que intentaban narrar la mayor parte de las acciones revolucionarias. La película comienza con la negación de la tripulación del Acorazado Potemkin a comer carne en mal estado y llena de gusanos. El amotinamiento se desarrolla y su líder, Vakulinchuk, es disparado por un joven oficial. Los oficiales de rango superior han sido destronados y cuando el Potemkin llega a Odessa, la gente aparece por todos los lugares y quiere saber la causa del marinero muerto y el porqué del comienzo de los actos de rebelión. (Divisa Home Video)
(más)Reseñas (5)
No film without dialogue has said as much to me as Battleship Potemkin did.
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The story of the mutiny on the Battleship Potemkin is fatally simple. First off, the crew rejects the rotten, worm-infested meat, whereupon they are advised to consume this gastronomic delicacy after rinsing it in salted water. That would tend to piss them off. Salt and worms! History has called what followed a revolution, and students can still play on their favorite vivid image of the Odessa stairs. The biggest fights are over the role of the carriage, and only the poor baby’s mother is worse off.
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Objectively, I have to give Battleship Potemkin all five stars. It’s a visually disarming masterpiece, technically extremely advanced and so well constructed that even without dialogue it can repeatedly send chills down the spine and evoke the emotions and ideas that it so blatantly promotes. And for the record, I put the "massacre on the stairs" scene on the same level stylistically as the best of Kubrick and Spielberg. 90%
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That made me laugh. Agitation of the heaviest category, perhaps still excusable in its day, but so brilliantly filmed in places (The Stairs of Odessa) that it cannot be dismissed. Whenever there was any text I was bursting into loud laughter and the bestial catchphrase "Let's go! Let's beg them!" brought tears to my eyes.
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An incredible film that is a reflection of the era, a portrayal of ideology, but also a masterpiece that only lasts a modest 77 minutes. The mutiny on the Battleship, the crowds in Odessa and their shooting down, these are unbelievable scenes that you can't even believe didn't actually happen. Coordinating so many people for the scene on the stairs is simply incredible. Sergei Eisenstein is simply one of the most significant film creators regardless of nationality, era, or political beliefs.
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