Un toque de pecado
Tian zhu ding
Director:
Zhangke JiaGuión:
Zhangke JiaCámara:
Nelson Yu Lik-waiMúsica:
Giong LimReparto:
Wu Jiang, Baoqiang Wang, Tao Zhao, Vivien Li, Jiayi Zhang, Lanshan Luo, Hongwei Wang, Lu Liu, Zhangke JiaStreaming (1)
Sinopsis(1)
Dahai, minero exasperado por la corrupción de los dirigentes de su pueblo, decide pasar a la acción. San'er, un trabajador emigrante, descubre las infinitas posibilidades que le ofrece su arma. Xiaoyu, recepcionista en una sauna, no soporta más el acoso de un cliente rico. Xiaohui pasa de un trabajo a otro en condiciones cada vez más degradantes. Cuatro personajes, cuatro provincias, una reflexión sobre China contemporánea: una sociedad con un desarrollo económico colosal poco a poco erosionado por la violencia. (Golem Distribución)
(más)Reseñas (2)
After watching this film, I definitely understood that here are too many Chinese people in the world. It was torturous watching this toothless entanglement that formally became shameful in the 1990s - I haven’t seen anything this schematic and empty in a long time. It is nice that the film always surprises, but since it completely lacks characters and confuses them with walking nothingness, it's nothing meritorious. There is no point in asking why, just who and how. Four awkwardly intertwined stories, the first and last of which are bearable (the first with a hint of reason and the fourth with a hint of adequacy), but the middle two border on absolute dementia (when a digital snake passed over the screen, I really wanted to shoot something) and naive symbolism. It is quite sad that politically correct awards are given at Cannes - this script is only good for wiping the ass of a naughty Chinese brats, but of course it has the appropriate humanistic-critical overlap. But they also have frustrated swearing when sitting and having a beer and palmes are not given for them. A Touch of Sin is proof that Asian cinema sucks. Everyone to the balcony, Chinese people are going to be born!
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Cuatro historias de China sobre violencia, prostitución, corrupción y el poder del dinero. Simbolismo simple, ligera perspectiva, duración excesiva de las cuatro partes. Los protagonistas sólo son simpáticos en el momento en que cogen una escopeta/pistola/cuchillo de fruta. Aparte de su excesiva duración, la película tiene el problema de no saber cuándo (y cómo) terminar.
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