Межа
Čára
Director:
Peter BebjakGuión:
Peter BalkoCámara:
Martin ŽiaranMúsica:
Slavo SolovicReparto:
Tomáš Maštalír, Emília Vášáryová, Eugen Libezniuk, Andrej Hryc, Zuzana Fialová, Stanislav Boklan, Oleksandr Piskunov, Rimma Zyubina, Kristína Kanátová (más)Streaming (1)
Sinopsis(1)
Adam Krajňák is head of the family and also boss of a gang of criminals smuggling cigarettes across the Slovak-Ukrainian border. The failure of one of the transports triggers an avalanche of consequences that compels him to question his own boundaries, none of which he had planned on crossing until now. (Karlovy Vary International Film Festival)
Reseñas (6)
Un drama denso con una gran descripción del lugar geográfico y su cultura social (Eslovaquia es simplemente el «norte de los Balcanes»). Principalmente gracias a la gran cámara y a la música. El desarrollo de los personajes se queda un poco atrás en este aspecto formal, a algunos de los conflictos y relaciones les vendría bien un poco de desarrollo, pero es suficiente para la experiencia final, bastante oscura, de la película.
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In 2017 the Slovaks truly surpassed us in the quality of filmography. The Line is quite rough, cynical, uncompromising and emotionless, but it has an interesting premise and a great, gloomy thriller-like interpretation that we in Czechia are incapable of filming. Hats off, Slovaks. With this film you truly showed what is in you. Peter Bebjak and Tomáš Maštalír are the best your country has to offer!
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An interesting film from the border region. There is something appealing about the idea that the whole region is controlled by a family led by Milka Vášáryová, but the believability of course falls very short. And so The Line remains just an interesting excursion into the nearest Eastern cinema.
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Filmová výzva 2018 - Slovensko. Menší zklamání, protože jsem čekal nějakou mimořádnou záležitost, ale po slušném a nadějném začátku film upadal a upadal, až se ztratil v nejasném a zmateném konci, jako by scénárista zabloudil do slepých uliček a už v nich navždy uvízl. Tomáš Maštalír vypadá jako by rovnou přešel ze seriálu Za sklom, postavu, kterou hraje Andy Hryc, nemohli obsadit lépe. Ale celkově nic moc.
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I was only half satisfied. The film’s biggest problem was that all the characters were so negative that I didn’t care what would happen to them. That is, if it was to be something bad. The ending fell totally flat, which is a shame, the premise had a decent potential and deserved a better execution.
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A Slovak attempt at a mafia film, which worked quite well, but it has to be said that there are elements that bring it down a bit. First of all, it doesn't take itself too seriously at times, which is too bad, because it would have benefited from a much darker concept, and in places I wouldn't have minded if the attempt to approach American mafia films had disappeared.
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