Director:
Peter BebjakGuión:
Tomáš BombíkCámara:
Martin RauMúsica:
Juraj DobrakovReparto:
Matej Marušín, Mary Bartalos, Tomáš Maštalír, Dávid Hartl, Juraj Loj, Tomáš Mischura, Jaroslav Mottl, Martin Šalacha, Emanuel Hason, Ela Lehotská (más)Sinopsis(1)
Igor, an unemployed university graduate, discovers the psychiatric assessment reports of Walter Fischer. One day seventy years ago, Fischer disappeared under mysterious circumstances while walking in the Tribec mountains. Two months later, he reappeared under equally mysterious circumstances and had strange wounds and burns all over his body. He was disoriented, could not explain what had happened to him and never recovered. Igor continues his investigation and, to his astonishment, he learns that Fischer’s case was not at all isolated – mentions of mysterious disappearances in the mountains date far back into history. More and more chilling stories keep piling up. Igor, his girlfriend Mia, the conspiracy theorist Andrej and the inveterate sceptic David begin to dig deeper into the mystery and unearth a truth more terrifying than any fantasy. They embark on an expedition to the forests of Tribec, where they witness something that defies human understanding. Their initially innocent quest ends in tragedy. This mystery, as the group find out, has incredibly sharp teeth. (Magnetes Pictures)
(más)Reseñas (6)
Un intento fallido de terror misterioso, como mejor y sobre todo lo hace Hollywood. Personajes poco atractivos (en cualquier sentido de la palabra), exposición larga y sin interés, un intento fallido del ya cansado truco de crear tensión mientras se deambula por el bosque. Bebjak es un buen director, los personajes y la historia eran mucho más complejos y profundos en The Line, que era genial. Pero este tipo de película de género requiere, obviamente, otro tipo de talento y, probablemente, un guión mejor adaptado, que en este caso parace algo comercial cocinado simple y rápido.
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Karik's fable (bestseller) in the film version is one of the contemporary Slovak films with ambition. Unfortunately, it deceives us and offers only a naive local view of the genre, which is not easy even for larger productions.
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I'm sorely tempted to defend this, because up to a point I recognize Bebjak as a smart genre director who at last is no longer trying to follow up on something that's already died eight times and been dug up again seven times. But in The Rift he clearly struggled not only with the original assignment of making a three-part series (why on earth and whose idea was it?), which makes the first third deviate from the rest of the plot with an etude in a haunted madhouse that suffers terribly from bad sound, but also from budget and time constraints. Then, when a quartet of horribly acted and altogether shallow characters venture into a sparse, threadbare, leafy forest where they walk on a contour line, yammering the whole time about their inability to reach the summit, you kind of feel sorry for them all. Especially when you know by the exposition that we're going to see problems with diabetes, drug addiction, whistles, and who knows what else. It's a shame when the nature of the mystery is so reminiscent of the anomalies in the PC game Stalker, and perhaps the scene where the protagonist's girlfriend, whom he calls by a strange name, runs off into the darkness, while a strange spiral of lights circles somewhere in the back left of the frame, hinting at the promise of a mystery that the rest of the film is not capable of delivering. And in general, forest horror films are really not my thing. You can see a better example of how to make a lot of scares out of very little in the woods in Italy's Across the River.
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La locura confusa que alcanza dimensiones casi paródicas del enfoque eslovaco del Misterio de la Bruja de Blair. Yo mismo no sé si percibí esa película dormido o despierto, y fue algo así como indiferente: mis pensamientos se escapaban a otro lugar y esa película estaba tan confusa que si me perdí cinco minutos o treinta, al final no se notó.
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My biggest takeaway was that I learned about the Tribec mystery, which I had never heard of before. The authors unfortunately didn't provide much insight, I had to look up everything afterwards, which bummed me out. The story was extremely mysterious, and raised a lot of questions, but shrewdly left them unanswered. The acting performances were forced and unconvincing, the atmosphere didn’t work very well and all that hiking through the woods got a bit tedious at times.
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Unlike most of the reviewers here, I felt physically uncomfortable in the first half of the movie, so I was oftentimes too scared to breathe while they were wandering through the forest. The atmosphere could be cut with a knife! And the music with those crazy sounds to go with it! Hell, I was really scared. The final denouement didn't satisfy me much and there were a few weak moments during the plot, but it is still a very good horror contribution from our Slovak brothers. I had a comparably intense experience the last time I watched The Blair Witch Project. And this is a really big hats off from me to the creators. (75%)
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