Diamantes en bruto

Una película enérgica sobre la búsqueda de dinero con el objetivo de salir de una mala situación (deuda). La película es original sobre todo por la banda sonora electrónica, como si fuera de Vangelis, en éxtasis, tratando de imitar a Atticus Ross. En la larga introducción, donde la música suena tan fuerte como el diálogo, es una distracción. Es como una banda sonora defectuosa, hasta sientes la necesidad de coger el mando y arreglar algo. Una forma ingeniosa de captar y atraer al espectador. Posteriormente, con un uso más sensible, la banda sonora se convierte en un elemento importante de una experiencia cinematográfica distintiva. Y también hace la ambientación y sus personajes. Los héroes de la película de la pareja de directores no son ángeles, tienen todos los defectos de carácter: engañan a sus esposas y socios, tienen una codicia despiadada. No obstante, cruzamos los dedos por el nuestro, porque en el mundo de la usura y la extorsión en el que se desenvuelve no podría operar de otra manera. Una representación sin concesiones de este mundo, en una comunidad judía, hace que la película sea única y que sus creadores sean valientes. (02.02.2020)

A treat for the connoisseur. Bursting with energy, like a roller coaster ride, extremely immersive, with a hypnotic soundtrack. The vast majority of today's mainstream cinema has been boring me for the last few years because it's so predictable and formulaic in its approach, so I’m grateful for any film that manages to surprise, goes its own way, and yet is so different, distinctive, and doesn't care that only a small group of viewers will appreciate it. Safdie Bros, thank you so much! I thought I'd never see anything like this in today's deluge of Marvel and comic book crap. And Sandler, as much as I don’t like him, was fantastic here. (04.02.2020)

Adam Sandler in a serious role? Let’s see this! Uncut Gems is the next film from his Netflix series, the first with a non-comedy theme. However, his character here is unpleasant and noisy, just like the film itself. Moreover, it contains an unusual soundtrack, which is also not exactly melodious, adding to the overall gloominess of the film. The first hour, I didn’t really know what to think, but the tension was so high I thought I was going to explode like a pressure pot. Although I didn’t like Sandler’s character, I have to respect his performance. It was an acting feast, albeit one with a psychedelic musical background. (05.02.2020)

Neo-noir Woody Allen on cocaine laced with synthetics. Loud-mouthed, too tense, hypnotic, mumbling, repulsive, soiled, slimy and truly (I really mean truly) intense. It cannot be recommended anyone. Compared to Uncut Gems, Good Time would be a viewer-friendly film. This time, the Safdis provoke on purpose. You will either hate or admire them from the bottom of your heart, but you will hardly say “hmm, a nice average movie that I will not remember tomorrow “. You will remember. It is only a question of whether you will spit in disgust or nod appreciatively while recalling it. (13.04.2020)

The best directorial feat by the Safdie brothers and the best serious role by Adam Sandler, who fits the part like a glove. It's a very whiny film without any positive characters. Sandler owed perhaps everything he looked at and I thoroughly enjoyed his crazy gamble. Julia Fox was also great to watch, she is an unknown actress to me, but I was wiping saliva off the table during the garter scene. The finale is intense and unexpected. I enjoyed it. PS: the scene with The Weeknd was fun.8/10. (21.01.2020)

Uncut Gems is almost unpleasant to watch. A spiral of self-destruction (with the very best intentions, of course) with the excellent Sandler in the lead role. The incredible pressure of an evil and raucous world conveyed through the “hero" to the viewer with unbelievable intensity. Lies, crooked deals, basketball, gambling, infidelity and contempt and the entire world plotting against one person who deserves it like no other (but you’ll still be keeping your fingers crossed for him at the end). A morality tale about gambling and something extra, and a reflection of modern times. (04.02.2020)

An uncompromising, frenetically edited dialogue cannonade, focusing on a narrow time span in the main character's life. Similar in concept and similarly frantic and unhinged as Joel Schumacher's Phone Booth. The essential difference is that while Phone Booth switches to a "meaningful" conclusion at the end and touches on the emotional arc of realizing life's mistakes and wrong actions, the protagonist in Uncut Gems has nothing of the sort, so we need to look at other parameters. For example, the haunting soundtrack, Sandler in a very atypical role for him as a Jewish merchant, Julia Fox (hopefully she'll get more roles), and the convoluted, volatile but well thought out story. A small, controversial film for connoisseurs who appreciate a filmmaker’s unconventional approach. (14.03.2020)

It’s a pack of lies. The protagonist ("hero"), played really well by Adam Sandler, lies from start to finish, makes excuses, cheats, makes false promises, pulls the wool over people's eyes, balks... I can't say he's particularly good at it, but he certainly does it so intensely and automatically that he's actually lying to himself, even though he doesn't know it. Watching him get tangled up in his own webs was no particular pleasure for me, and I couldn't even get attached to any other character, because they're all just lying in this movie. All of them. All the time. Still, it gradually won me over, and the riveting final half hour finally earned it that fifth star. (01.02.2020)

Like Good Time, Uncut Gems is a movie self-absorbed in its own showiness, but this time the formal tricks are more effective in engaging the viewer into the never-ending tangle of the swearing, the questionable decisions and the persecution that characterise and shape the protagonist. The highly subjective narration that hardly leaves the hysterical Howard creates, together with his questionable nature, a very unpredictable chain of events where every gleam of hope is repeatedly negated by another stupid decision, which smartly culminates in a black-humorous but incredibly raw and dynamic climax. Adam Sandler is perfect, and perfectly cast, few others can handle unstable characters as well as he does. The music is irritating at times, but after a while it merges with the unorthodox focus. I doubt I will ever watch it again, but to watch once it’s almost perfect. 85% (03.02.2020)

This movie is so stressful that you might well get a gastric ulcer, just from watching it. (03.07.2020)

It's a bit of a paradox that this hyperkinetic street thriller actually feels anachronistic today, because it actually tells a story set against the backdrop of old New York City, the face of which has been heavily transformed over the past decade to suit the lifestyle of young yuppies, giving the whole glorious big-city street-life a pretty big beating. Even as a kind of reminiscence of those times, we can enjoy the depth and muted colours of a thirty-five-millimeter film in the hands of the most talented, Darius Khondji, who desaturated the colors of, for example, The City of Lost Children or Se7en. It's ironic that the Safdie bros meet exactly the demands of a predatory young directorial duo, but that's mainly because of how they ignore the formal developments within the last, say, fifteen years, after the widespread advent of digital. (22.03.2021)

Awesome psychedelic soundtrack and a non-comedic Adam Sandler in a tragicomic role as a self-destructive swindler whose every next move may be his last. What I enjoyed about it was the fatal hopelessness and the very successful transfer of atmosphere to the viewer, where I lived all the heart-stoppingly tense situations to the bone along with the main character. Maybe "instead of the main character" would be more accurate, as I felt like no matter how much trouble Howard Ratner was in, he kind of didn't care. As long as he could place a bet as soon as possible. Uncut Gems is almost annoying in some passages with its noisiness and crudeness, but ironically this is one of the cornerstones of their success, as it's actually quite novel and very perversely entertaining. Sandler's good, but he's already proved that in Punch-Drunk Love or Reign Over Me. The reviews regarding his unique acting performance are slightly overhyped. (09.02.2020)