Příliš osobní známost

A primera vista, la película parece un drama romántico cómico de una vida con mucha emoción y humor, pero no debe ser seguido por creadores, en cuya presentación cosas como "emociones", "humor" o "de la vida" actúan como algo oscuro de otro universo. Una mezcla de géneros inconsistentes mal filmada y escrita comienza con una nota de comedia del estilo de vida de una relación (que no es nada graciosa), luego muta gradualmente en el psicodrama crudo en el que no quedan rastros de comedia. Sin embargo, la película tampoco tiene un aspecto realista; por el contrario, es solo un torso superficial y desintegrado construido sobre una base psicológica dudosa. El objetivo probablemente era satisfacer a los fanáticos de los dramas pesados​y al mismo tiempo a los fanáticos de las comedias de relaciones, pero era una batalla perdida de antemano. El resultado es terrible, vacía en contenido, alternando aleatoriamente estados de ánimo mutuamente incompatibles y montada de acuerdo con una plantilla perezosa en la que los hombres se comportan como sociópatas y las mujeres están destinadas a amarlos, perdonarlos constantemente y dejarlos disfrutar a sus anchas. Esto es particularmente inapropiado en una película sobre mujeres, escrita y dirigida por mujeres. El hecho de que los principales papeles femeninos sean interpretados por checas, mientras que los masculinos los interpreten en checo yugoslavos muy mal doblados, es solo la cereza del pastel. Que sería una masacre, se podría haber adivinado por los bizarros subtítulos de apertura, en los que un libro de la película primero pasa alrededor de la tierra digital en el espacio y luego una radio de dibujos animados tirando de un astronauta en un convertible rojo sin relación con el resto de la película. (23.01.2020)

When a domestic film with familiar faces is released cinemas, it feels almost like a holiday, as almost everyone who’s at least 40 goes to watch it – the last time I saw a cinema this packed was maybe with The Avengers. Despite my big fears, it's ultimately a digestible one-off where the humour relies on the sex scenes, which are delivered in a really funny way. The surprise is the second half, where the romantic comedy turns into a fairly dense emotional drama – you could hear a nail falling in the cinema during the dinner scene. The little girl, played by Valentýna Bečková, is the biggest trump card of the whole film, this kid will go far. Surprisingly fine. 6/10. (29.01.2020)

I have to say outright that I was expecting to boo this. However, this hodgepodge of genres did not annoy me quite as much, the story developed differently from what I had expected and Petra Hřebíčková did not flash her fake smiles of the Katherine Heigl type. In any case, the script wasn’t worth much, the whole oh-so-funny storyline with Tatiana Dyková was downright terrible, and the post-synchronization was awful. Anyway, here goes one star. (07.08.2020)

I just have a soft spot for Petra. I know, she keeps getting the same roles, she keeps playing the same roles, but I find her inexplicably likable and I can't be completely critical of her. And so I watch movies I probably wouldn't normally watch. So there's the added bonus of Eliška Balzerová, who I always love watching too. The male part of the cast, on the other hand, is so, so pathetic (and the dubbing certainly doesn't help), plus the characters are written incredibly stupidly. Likewise, they made Tatiana into a complete bimbo and the most naive and simple woman I could ever imagine. Barely 3 stars; at least I didn't get bored. (12.02.2021)

This film is truly a mistake. This isn't a silly cute romantic comedy for undemanding female viewers - this is a pathologically harmful attack on the already low level of intellect of all the people involved in the creation of such crap and those who, under the impression of harmless entertainment, decide to face this bullshit of unbelievable proportions. The patterns in which these characters move are as horrific as the stereotypes they are portrayed with. I prefer porn, which is cleaner in terms of genre, more acceptable in its acting, and not harmful to society in the broadest context. Also, no one is forced to look at Tatiana Dyková's face. As the saying goes: some people read so they don't have to think... (27.05.2020)