Estados Unidos / Canadá,
(1993–1994), 18 h 9 min
(Minutos: 43–48 min)
Director:
David Nutter,
Daniel Sackheim,
Joe Napolitano,
Jerrold Freedman, William A. Graham, Larry Shaw, Michael Lange, Robert Mandel, Harry Longstreet, Michael Katleman, Fred Gerber, Rob Bowman, R.W. Goodwin (más)
Guión:
Chris Carter,
Glen Morgan,
James Wong,
Howard Gordon,
Alex Gansa, Kenneth Biller, Chris Brancato, Chris Ruppenthal, Marilyn Osborn, Scott Kaufer, Larry Barber (más)
Reparto:
David Duchovny,
Gillian Anderson,
Jerry Hardin,
William B. Davis,
Doug Hutchison,
Charles Cioffi,
Henry Beckman,
Doug Abrahams,
Cliff De Young,
Leon Russom, Stephen E. Miller, Christopher Hutson, Seth Green, Gabrielle Rose, Monica Parker, Sheila Moore, Donal Logue, Kevin McNulty, Terence Kelly, Colleen Winton, James Bell, Carrie Snodgress, Michael Cavanaugh, Donald Gibb, Don Thompson, Claire Stansfield, Gregory Sierra, Michael MacRae, Jill Teed, Andrew Airlie, Bill Dow, Hrothgar Mathews, David Lewis, D. Neil Mark, Jason Gray-Stanford, Lachlan Murdoch, Barry Primus, Lisa Waltz, Lorena Gale, Veena Sood, Tom Pickett, Tom Heaton, Nora McLellan, Rob LaBelle, Wayne Duvall, Blu Mankuma, Tom Butler, Gillian Barber, Xander Berkeley, Felicity Huffman, Jeff Kober, Ken Kirzinger, Sonny Surowiec, Ed Lauter, Susanna Thompson, Tom McBeath, Alf Humphreys, Frederick Coffin, Marshall Bell, Brent Stait, Michael J Rogers, William MacDonald, Harriet Sansom Harris, George Touliatos, Tasha Simms, Amanda Pays, Mark Sheppard, Dan Lett, Duncan Fraser, Keegan MacIntosh, Lynda Boyd, Brad Dourif, Don S. Davis, Don MacKay, Chad Willett, Brent Hinkley, Peter Stebbings, Nicholas Lea, Christopher Allport, Jackson Davies, Jason Schombing, Callum Keith Rennie, Jay Brazeau, Peter Kelamis, Brenda Crichlow, Dick Anthony Williams, Christine Estabrook, Graham Jarvis, Robin Mossley, Merrilyn Gann, Peter LaCroix, Bruce Harwood, Dean Haglund, Tom Braidwood, Ellie Harvie, R.D. Call, Scott Bairstow, Dennis Lipscomb, Chilton Crane, Michael Horse, Donnelly Rhodes, Jimmy Herman, Jason Beghe, Titus Welliver, David Hay, Paul Ben-Victor, Mitch Pileggi, Timothy Webber, Jerry Wasserman, Glynis Davies, Catherine Lough Haggquist, Brian Markinson, Mimi Lieber, Maggie Wheeler, Dey Young, Andrea Libman, Leslie Carlson, Željko Ivanek, Micole Mercurio, Kerry Sandomirsky, Suleka Mathew, Lindsey Ginter, Anne De Salvo, Ken Kramer, Phillip MacKenzie, Zachary Ansley, Malcolm Stewart, Laurie Paton, Sabrina Krievins, Erika Krievins, Sarah Koskoff, Joel Palmer, Akiko Morison, Shelley Owens, Wayne Tippit, Deryl Hayes, Steve Hytner, Scott Bellis, Johnny Cuthbert, Andrew Johnston, Lalainia Lindbjerg, Michael Puttonen, Michael Bryan French, Kate Twa, Cec Verrell, Terry David Mulligan, Sheila Larken, Fred Henderson, Tom O'Rourke, Lawrence King-Phillips, Matthew Walker, Garry Davey, Frank Charles Turner, Tamsin Kelsey, Lisa Bunting, Jim Jansen, Tim Ransom, James Sloyan, Lesley Ewen, Campbell Lane, Dwight McFee, Tyronne L'Hirondelle, David Kirby, Sean O'Byrne, George Gerdes, Alan Boyce, Mark Kandborg, P. Lynn Johnson, Ty Miller, Janet Hodgkinson, John Payne, Lisa Ann Beley, Forbes Angus, June B. Wilde, Steve Makaj, Gary Hetherington, Anthony Harrison, Anna Ferguson, Alvin Sanders, Philip Maurice Hayes, Paul Batten, Roger Cross, Ken Tremblett, Jan D'Arcy, Pat Bermel, Jonathan Walker, Robyn Driscoll, Michele Goodger, Iris Quinn, Maria Herrera, Christopher Gray, French Tickner, Doc Harris, Cody Serpa (más)
(más profesiones)
Pilot 4/5;; Deep Throat 2/5: Cheap and boring introduction to the mythology of X Files. Squeeze 5/5 I like to move it, move it, he likes to move it move it. Conduit 4/5: The first hint of a much-frequented "kidnapping" topic later on. Unlike most of them, however, well executed. The Jersey Devil 3/5: The creators were able to take advantage of an interesting theme only at the beginning and at the end. It´s an average episode that could (and should) have been much better and shorter. Shadows 3/5: Psychokinesis deserves a better entrée on stage. Routine episode. Ghost in the Machine 2/5: Very weak, and even ridiculous over time, variation on a machine with own brains. Boring. Ice 5/5: "We're not who we are..." Or it another words how it turns out when you shoot a variation on Thing in the setting of X Files. Simply brilliant. Space 3/5It could have been an excellent episode if the director hadn't approached the supernatural elements in a such ridiculous way. Fallen Angel 4/5: Mulder vs. Army, exploring the site of a possible landing of "you-know-what". Eve 5/5: "We just knew..."Fire 4/5If an arsonist has a style it´s is a joy to watch him working. Beyond the Sea 5/5 If Dana and Fox swap their usual roles, if you give them brilliant Brad Douriff as their adversary and if you back everything by a great script, it just can't be a bad episode. This one is one of the greatest highlights of the whole X Files. Gender Bender 4/5: This one is one of the absolute highlights of the whole of X Files. (S)He is the ultimate aphrodisiac that leaves only corpses behind. Good topic, but it should have been more ambiguous. Lazarus 3/5: Swapping bodies/souls. Interesting topic, but only mediocre execution. It would have been better without the supernatural. Young at Heart 3/5: Average and easy to forget episode in all respects. E.B.E. 5/5: "I'm wondering which lie to believe." The creators, unlike many other episodes, have followed the golden rule that says that the viewer is most interested in what remains hidden. Miracle Man 4/5: Praise the Lord! Shapes 3/5: Native American legends about lycanthropy, Native American reservations, and a ranch in the mountains. The first half is great, but at the end the atmosphere disappears. Darkness Falls 5/5: The episodes where Scully and Mulder are cut off from the world in a hopeless situation have always been the showpiece of X Files.This one is probably the best of them. Atmospheric peak of the first series. Plus the exceptional finish. Tooms 5/5: From the title it's clear who is this episode about. As with the first meeting, Eugene Tooms is charismatic. Extremely. Assistant of the FBI Director Walter Skinner appears here for the first time. Born Again 4/5: Good topic, excellent opening half, but then it all gets fragmented into a predictable mediocre movie. Roland 3/5: Another of the episodes where the supernatural storyline is rather detrimental to it. The Erlenmeyer Flask 4/5: The final scene should close one chapter, but at the same time make viewers want to watch more. That worked, especially in the final quarter hour. () (menos) (más)