Estallido

La esbelta y competente realización cinematográfica contiene largas tomas en los laboratorios, presentaciones de personajes simpáticos encarnados por grandes actores, persistentes indicios de fuerte dramatismo. Sin embargo el entusiasmo inicial se disipa más adelante, cuando la película se transforma en un filme de acción con persecuciones en helicóptero y un final tópico y predecible. La película se convierte en algo más tonto de lo que podría haber sido, si los guionistas hubieran pretendido un thriller realista y angustioso, en lugar de una película de acción para el público de las palomitas. (26.03.2020)

Good old subordination. A top-notch virus flick with the actors’ elite of the nineties. Evil, militant USA vs. microbes from Africa and Dustin Hoffman with his pals in the middle. Petersen is an expert at tension and the tear in the suit and chasing the monkey are wonderfully intense. On the other hand, it’s spoiled by (today rather ridiculous) helicopter chases and the stupidity of some soldiers. Howard’s music is great. - Why don’t you go get some rest? - Why don’t you? - I slept in July. (12.03.2015)

I revisited the Outbreak recently and was curious whether it would maintain its three stars. As you can see for yourselves, it did not hold up, despite the team of stars parading in front of the camera and trying to earn their salaries. In the first half, it still worked, and the beginning seemed even more promising than expected, but with every passing minute, the film sank into genre cliches, naivety, and logical somersaults. When the American president pathetically exclaimed, "But these are American citizens!," it felt as if I had just sat in a tub full of hot coals. Despite Petersen's craftsmanship and the presence of a few decent actors, I can't rate it high. I'm sorry, Dustin. Overall impression: 40%. (17.02.2018)

A compelling and disturbing vision of a global pandemic as uncompromisingly portrayed by Wolfgang Petersen, where the greatest danger by far appears to be not the epidemic itself, but its political aspects. The atmosphere of chaos and despair here is frighteningly palpable, with the only proper bright spot being Dustin Hoffman’s character of the dogged virologist, who is (one of the few) relatively clear about his values throughout. [80%] (09.02.2022)

I've written it many times in variations, but I have to say it again – Petersen is a master at filling out Hollywood templates. His relatively good directorial name will provide him with great actors, a decent budget, and as far as the choice of scripts is concerned, the German film matador always chooses quite carefully... His films don't fail, but they also don't make giant marks on the world. A deadly epidemic is a proven recipe for a disaster film, which is improved a class higher by the absolute realism of the subject (if I am able to judge it), and by the excellent gradient and quality of acting performances... In particular, the titular "Precog – agitator – determined warrior" Dustin Hoffman has the right choleric flair and, as they say in English-speaking countries, drive. Petersen does what Hollywood taught him to do – he doesn't really add his talent into the film (he showed it elsewhere, right?), he does everything the way it's supposed to be done in a disaster movie, he puts the pedal to the gas in the action scenes when the pace is fading and the grunting of the infected becomes annoying and monotonous... And once again, they create a beautifully worked and filled template, which is a joy to look at and for which it does not pay to remember who the great W.P. once was... (24.10.2004)