Quo vadis, Aida?

La culminación del conflicto serbo-bosnio a mediados de la década de 1990, retratada desde la perspectiva de una traductora bosnia que intenta proteger a su familia durante la evacuación de muchos miles de personas, mientras interpreta constantemente las comunicaciones entre los dos bandos y los comandantes de la ONU. Su historia y la descripción de todo el acontecimiento son poderosamente tensas e increíblemente atractivas de principio a fin, contadas a un ritmo constante y rápido, excepto en algunos momentos más tranquilos, y además de la dirección muy bien asida y el elaborado guión (excepto algunas coincidencias notables que ayudan al drama), es especialmente cautivadora por la interpretación de primera categoría y totalmente creíble de la actriz principal. El cruel final se prepara con un montaje aún más devastador que roza el chantaje emocional, lo que convierte la película en un asunto muy deprimente, pero que se ajusta a los hechos reales que inspiraron la película. (21.08.2021)

Excelente cine europeo de muy alto nivel. A pesar de que desde los primeros minutos sabes (o al menos sospechas) cuál va a ser probablemente el final, devoras con cada respiración todo el metraje que pasa y los esfuerzos relacionados del protagonista. Quo Vadis, Aida?es una película convincente sobre la inutilidad y la importancia de no rendirse, incluso cuando a menudo parece que el mundo entero juega en tu contra. [KVIFF 2021] (15.09.2021)

A two-hour history show and a chilling, gripping drama about the genocide in Sebrenica! There have been plenty of World War II movies, but a film about the greatest tragedy in modern history has only just arrived. I put the film off for a long time, not even its Oscar win could convince me, but it became a virtue out of necessity and I gave it a chance. Although I would have liked some war action, or more detailed executions – the only way the attempt to shock can work – it won me over in the end. Fortunately it has a great pace, the main character Aida is always running around somewhere, solving things and trying to save her family from execution. The emotions work quite well, the atmosphere is chilling, and it's definitely a situation none of us would want to find ourselves in. The acting is also top notch and the UN is shown in a not nice light. 75% (16.04.2023)

I've seen the same stooped faces in almost every other movie about genocide, the same wild half-drunk aggressors also committing crimes. It's a cursed genre that tries to recall a traumatic history but is unwilling to portray it in all its horror out of respect. The entire historical experience is thus reduced to the details of tortured faces and uninventive crowd scenes, practices that unfortunately someone who is witnessing the eighth such cinematic approach to a similar subject has already been able to armor themselves against. As one shamefully unfamiliar with the realities of the Yugoslav war, I got the impression here that somewhere in Yugoslavia a hellhole had opened up and out of it crawled the lawfully evil Serbs, whose first words in the crib were "klevetajte svoje neprijatelje, gledajte ih gonjene pred sobom i slušajte jadikovke njihovih žena", and a rather black and white situation ensued. Which my experience with history in general tends to refute, of course. (31.12.2021)

An uncomfortable and exhausting film in which the female protagonist imaginatively steps not in glass slipper shoes but in the snowshoes of a Siberian officer in the space of a single factory. The impression of the inevitable failure of all those chaotically organised efforts gets under you skin and you just watch in resignation to see when and how it will happen. And even though the film doesn't require us to engage deeply and its message works very universally, the ending is truly chilling. When it comes to reconstructing tragic chapters of history with an emphasis on the overlooked yet privileged woman-power, this is the way to do it – and Jasna Duric gives an amazing performance for which she deserves all the Oscars in the world. 85 % (15.01.2022)