Reseñas (3)
In terms of the plot, the maximum escapade is perhaps achieved precisely because David Fincher knew who it was intended for. Audio-visually, it is a maximum directorial indulgence, which, together with cinematographer Paul Cameron, culminates in an epileptic whole where the viewer doesn't know whether to focus on the plot or the visuals. A one-time delicacy in a luxurious package for admirers of Scott's compositions, but for others, it is a gratuitous perversion without understanding or apology.
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Nobody else makes movies that look like this... Just Tony Scott. Top-notch visuals, a devilish Gary Oldman (eating a hard-boiled egg in the style of Angel Heart), a swashbuckling Clive Owen, James Brown, Danny Trejo, who just needs to stand still, keep quiet and watch... And finally, Marilyn Manson. While not as action-packed as other The Hire films (like Frankenheimer's), the atmosphere is among the best. And that race....
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Tonyho Scotta considero uno de los mejores directores de acción, su estilo lleno de clips me encanta, sin embargo, esta película me decepcionó con su trama. Por lo demás, todo funciona de maravilla, quién más podría interpretar al diablo chiflado que Gary Oldman, quién más podría interpretar a su mano derecha que Danny Trejo y quién más podría aparecer al final y desatar una risa histérica que Marylin Manson....
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