Rescate en el barrio chino
Big Trouble in Little China
Director:
John CarpenterCámara:
Dean CundeyReparto:
Kurt Russell, Kim Cattrall, James Hong, Victor Wong, Kate Burton, Carter Wong, Dennis Dun, James Lew, Peter Kwong, Gerald Okamura, John Carpenter (más)Sinopsis(1)
Dirigida por el maestro del thriller John Carpenter, esta aventura te mantendrá en vilo con Kurt Russell interpretando a Jack Burton, un camionero fanfarrón cuya vida en la carretera toma un cariz sobrenatural cuando su novia es secuestrada. Ansioso por rescatarle, se ve inmerso en el barrio chino de San Francisco, en un tenebroso mundo gobernado por Lo Pan, un mago de 2.000 años que gobierna sin piedad el mundo de los espíritus. Esquivando demonios y haciendo frente a temores incomprensibles, Jack lucha a su manera en los oscuros dominios de Lo Pan en una loca carrera para salvar a la chica. Co-protagonizada por Kim Cattrall, este espectáculo de efectos especiales corre hacia un inesperado final. (20th Century Fox España)
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Reseñas (7)
John Carpenter dirige esta comedia de acción continua e hilarantemente descabellada en la que un Kurt Russell muy sabihondo se infiltra en los bajos fondos del barrio chino de San Francisco, para rescatar a la prometida de su compañero y recuperar el camión que le han robado. Y también hay magia, kung fu, disparos continuos y cabezas que explotan. Golpe en la pequeña China no debe tomarse en serio en lo más mínimo, es realmente una broma desmesurada, ideal para una proyección de medianoche y me alegro de haber tenido la suerte de verla en la gran pantalla. [KVIFF 2018]
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Had I read the synopsis beforehand, I would have passed on this B-movie. Carpenter couldn’t have deviated further from his dark and horror beginnings, and here he delivers insane straightforward fantasy with a concept reminiscent of the Ninja Turtle comics and a protagonist that casually drops one-liners and complements his heroic acts with self-parody stumbles. But Kurt Russell is really enjoying that role and you can’t deny the guilty pleasure quality, thanks to which the story manages to surprise and never gets boring. But I liked Escape from New York a lot more. 55%
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A timeless reminder of the era when blockbusters were spectacular in a carnivalesque kind of way and didn’t conceal their essence behind an attempt to be multi-faceted. Furthermore, Carpenter’s classic is a fascinating project that attempted to bring into the American mainstream the genre of Hong Kong fantasy flicks, which was revitalised there by Tsui Hark in the 1980s. Carpenter superbly captured those films’ carnivalesque exuberance and identically packed his film with practical special effects, physical action, horror elements and slapstick humour. In doing so, he concurrently subverts and boisterously comments on the classic image of the macho American cinematic hero by presenting Jack Burton, with all his pomposity and coolness, as a purely chaotic element that complicates rather than saves any situation.
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The pinnacle of an 80s boy adventure with the mentality of an eight to ten year old, best summed up by the dialogue in which Jack Burton incredulously tries to convince his partners that he's not going back to the Chinatown underworld for a woman after all, but for his car. The rest of the film is a reinterpretation of an old-school video game dungeon in movie form. A barred window from a side alley leads to a dingy basement, from which you crawl through skylights into a forgotten warehouse. From there, the elevator only goes down, where there's a medieval torture chamber, centuries-old sewers, pimp cages, a giant temple, and all sorts of shafts of shafts, pipes, and secret passages in between. Anyone who has played the Fighting Fantasy gamebooks will be right at home in no time. Plus, Russell really rules here as a parody of the 80s macho, who, while he has the same kind of cocky mindset as other protagonists of that type, is nonetheless pretty incompetent throughout, taking himself out of the fight several times. I burst out laughing all the more during the scene where he takes out the main bad guy. Partly because of how ruthlessly quick the editing in this scene is. I see a lot of people here writing that they used to get a lot of mileage out of it when they were young and now they're ashamed of it or something. I screamed in horror when I noticed that I had given it a mere three stars here some years ago with some heated commentary like a jaded film critic. Corrected. Je suis Jack Burton.
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The stupidest of the stupid, which I think is most damaging in how stubbornly it tries to be funny. I admit that in the original version with subtitles, it's probably a bit more fun, but if John Carpenter wanted to make something like Flash Gordon, but unlike Flash Gordon it wouldn't take itself at all seriously, and that is what made it good, then the result wasn't great. It's not that Big Trouble in Little China doesn't have the right trashy charm - it certainly does, but it just left me cold. I guess it's also because I only saw it for the first time today and not in my childhood.
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