Director:
Len WisemanCámara:
Paul CameronMúsica:
Harry Gregson-WilliamsReparto:
Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston, Bokeem Woodbine, Bill Nighy, John Cho, Will Yun Lee, James McGowan, Michael Therriault (más)Streaming (1)
Sinopsis(1)
Para un trabajador de una fábrica como Douglas Quaid (Colin Farrell), aún cuando tiene una mujer preciosa (Kate Beckinsale) a quien ama, los viajes mentales suenan como las vacaciones perfectas para su frustrante vida: recuerdos reales de una vida como un superespía podría ser justo lo que necesita. Pero cuando el procedimiento va terriblemente mal, Quaid se convierte en un hombre perseguido, fugitivo de la policía controlada por el canciller Cohaagen (Bryan Cranston), líder del mundo libre. Quaid se unirá a una luchadora rebelde (Jessica Biel) para encontrar al líder de la resistencia clandestina (Bill Nighy) y detener a su perseguidor. La línea entre la fantasía y la realidad se difuminará y el destino de su mundo dependerá de un hilo mientras Quaid descubre su verdadera identidad, su verdadero amor y su destino real. (Sony Pictures Esp.)
(más)Videos (33)
Reseñas (12)
Es bastante acción, hay algunos a favor, algunos en contra, pero de alguna manera no me gustó del todo. No recuerdo nada de la película original, tal vez no logre recordar ni una escena, así que no voy a comparar. Estoy de acuerdo con esos comentarios que elogian la actuación de Kate Beckinsale. Fue absolutamente la mejor de todos los involucrados, su colaboración con su esposo simplemente le sienta bien.
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I had forgotten Wimmer's name in the screenwriter column and went into it with no greater ambitions, but also without any fear. So as long as Wiseman reminisces about his childhood spent at arcades, it goes pretty well, although Colin doesn't really enjoy it and Jessica definitely doesn't. The entire film is carried by Paul Cameron's circling camera and Kate Beckinsale enjoying her unacknowledged role as the Terminator. However, it gets worse with each new dialogue that you just can't get out, even if you had half a kilo of coke shoved into your head in Recall, so I found myself smiling at times, even though the creators didn't intend for that to be the case. For a hundred and twenty-five million, it’s a pretty decent ride, but it should have taken at least half an hour less.
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A terribly simplistic and almost painfully naive dystopian sci-fi flick, but when you stop asking questions like “how” and “why”, it sort of works. Visually and technically, it’s very good, but the script is so stupid. With other films, I wouldn’t get over it, but here yes, if only because of the dynamic and original action scenes. Wiseman might not be genius, but if he ever gets a good script, I wouldn’t ignore him.
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The visually arresting first half will tickle the heart of any sci-fi fan. And it doesn't matter that the Asian architecture, the perpetual rain and parakeets are a rip-off of Blade Runner, and the chases with hoverboards are a rip-off of Minority Report. But then, as the minutes tick by, the film makes it clear that the script was written by the infamous Kurt Wimmer, a man with no talent and no creative intelligence, so the mounting annoying clichés and situations like those from the most subpar B-movies quickly cool down the initial enthusiasm. Where the old Total Recall clearly wiped its ass with clichéd Hollywood and was engaging in its ambiguous answer to what is truth and what is a dream, Wiseman's film is dull and woefully predictable. It's like Kate Beckinsale's "terminator" character: visually appealing and energetic, but bluntly direct.
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Why? Could anyone explain to me why anyone needs to do this? Why do actors have to get involved in such a film, why do they have to invest money in it at all and why do people have to go to the cinema to see it? Why does this movie have so many reviews on this site? I know, it’s a lot of questions for one movie that I absolutely did not want to see. But then the opportunity arose and I couldn’t resist. I must say that by today’s standards, it is a decent job. It buries the original film completely, but that’s a standard procedure in our CGI times. The whole thing is a bit simpler than the original film with Arnold, but probably so that today’s undemanding viewer would understand everything. But as I was saying. This film completely buries the idea behind the original movie, which was the last blockbuster without CGI, instead using manually prepared tricks, and which contained not only a message but had the balls to do something new and unique. The remake is just a cash-cow, where everything is made in a completely standard way. The creators might have gotten some money out of it, but for me it’s something that will be forgotten forever. What won’t be forgotten, however, is the fact that the 21st century Hollywood is afraid of making original movies, instead investing too much money into a brand that promises to return this investment, because they’ll always find some new fans who haven’t seen the original. Disgusting. I’m giving this three stars only because the film-making craft is objectively good. The rest, however…
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