Sinopsis(1)

¿Quién es Morgan? Eso es lo que tendrá que averiguar una especialista en resolver problemas corporativos que, tras un misterioso accidente, es enviada a una localización secreta en la que deberá evaluar una nueva forma de vida y decidir si debe exterminarla o no. Este ser artificial podría suponer un peligro incalculable para el mundo, pues aunque aparenta ser una adolescente normal, posee facultades sobrehumanas que además evolucionan rápidamente. (20th Century Fox España)

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Reseñas (4)

J*A*S*M 

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inglés Guilty pleasure AF. An exceptionally well put together B-movie with an almost needlessly good cast. So what can you expect – especially after watching the well edited trailer – but something more ambitious, or at least more serious? Well, Morgan is neither very ambitious nor serious (though I’m afraid that the creators sometimes believe it is), but I chose to ignore that and had fairly good fun, to the point that I was surprised. The bonus is the most stupid group of scientists that’s ever been on screen (they will make you retroactively appreciate Prometheus!), and the almost pointless – though unexpected – final twist. If every bad film was as good as this, the world would be so beautiful! ()

Othello 

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inglés Luke Scott made a movie the same way I wrap a tent into its bag. I presume there must be some methodology to packing it more simply, more sensibly, without risk of damage, but in the interests of saving time I always find myself stuffing it in with my knee anyway, stomping on it with my foot, always managing in the end to cram a four-person shelter into a small carry-on, and with the last zipper unzipped I breathe a proud sigh of relief and feel like I've accomplished everything that was asked of me. Well, Morgan is the result of the same thinking, only in a film. This system can pay off if you’re pulling together a dynamic thriller with clear points A and B (The Gamer, Running Scared), but not if you’re trying to build a constant atmosphere of moral-ethical ambivalence with a big ba-dum-tss at the end that even the biggest Jindra Hojer figures out before the halfway point. Then suddenly, all the supporting characters are reduced to two or three simple expository scenes before the plot explodes, so the second half degenerates into a simple slasher ending (geez, in my last review I wrote the exact same thing about Alien Covenant, I guess it must be a raised-on-Ridley Scott thing) with the obligatory B-grade fight scene like in the golden days of Renny Harlin. It's probably obvious that if I had the desire to make a sci-fi about identity, an artificially created new evolutionary link, the road would be longer and muddier. ()

Necrotongue 

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inglés I felt cheated.  I was led to believe this was a horror film but no matter how hard I looked, I found no elements of the horror genre. Then again, it wasn’t boring, even though I could hear the script desperately gasping for air at times. Watching the actions of the research team sometimes felt like watching a comedy. The plot did manage to surprise me, though. The downside was the cast. I expected much better from such a line-up. ()

kaylin 

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inglés Morgan simply failed to make a good impression on me, and I had the feeling that I was watching something that the filmmakers didn't do a good job with. This was lazy work considering who they had available. In the end, the gore wasn't even something the film could boast about. For me, Morgan is a sci-fi horror film that I won't remember for long, or in fact not at all. It’s too bad, and I think more could have been done with it. ()