Lara Croft Tomb Raider: La cuna de la vida

  • Estados Unidos Lara Croft Tomb Raider: The Cradle of Life (más)
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Sinopsis(1)

Lara Croft (Jolie) vuelve a la acción y se enfrenta a su misión más peligrosa: recuperar aquello que las antiguas civilizaciones consideraban la esencia de todos los males, la Caja de Pandora. Ha de viajar por el mundo entero, desde Grecia a Hong Kong pasando por Kenia y otros muchos lugares, a fin de dar con la caja antes de que caiga en poder de un maníaco científico (Ciarán Hinds) cuyo plan es utilizarla para una aniquilación masiva. En esta aventura Lara recluta a su ex socio Terry Sheridan (Gerard Butler), un peligroso mercenario que anteriormente fue capaz de traicionar tanto a ella como a su propio país: sabe que es el mejor para la misión, aunque ¿puede confiar de nuevo en él? (United International Pictures)

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Reseñas (6)

POMO 

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español Jan de Bont tuvo para la primera película un guion más variado en sus manos, con localizaciones más exóticas y un clímax más espectacular, pero en términos de dirección no brilló más de lo que lo hizo aquí Simon West. La acción de West está poco desarrollada, es aburrida y carece de jugo, es como de un video-buster. En general, aunque la secuela es una media estrella mejor que la primera sin rostro, sigue siendo sólo mediocre. El veredicto final es el mismo: Si por algo hay que ver la película es por la cada día más sexy Angelina Jolie. ()

Marigold 

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inglés If Simon West tried to have a little bit of style, De Bont put a stop to that and he conceived the directing in a relaxing way instead. You'd be booed for that even in a B-movie. Boring, conservative, cumbersome, and completely unsuitable to Lara Croft's profile as a light-footed and brisk acrobat. So, it’s even a little worse than the first film, and that can already be considered a state close to disaster. Luckily, you can see the increased budget at least a little (the effects are ok, the soundtrack noticeable)... But there is no improvement in the plot itself, Lady Croft still defines her place in the world only with awkward poses, Chris Barrie is buried more than last time, and the story is no less stupid and dull. The filmmakers take you to several exotic locations that uniformly crack into a confused amalgam of action and retarded dialogues. My impression of the film is perfectly captured by the scene where the chief of the African tribe promises Lara what she will see in the cradle of life. The fact that we see a flashing stroboscope instead of the terrible secrets may not surprise the viewer. I very much hope that Lara Croft is definitely done after this film, because she has already had enough embarrassment. ()

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Lima 

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inglés The film crew may have had a lot of fun travelling to various locations around the world, but the same cannot be said for the audience. After Twister, De Bonte shows nothing but creative stagnation. What can I say, the locations are attractive and Angela's role fits like a glove when everything else fails. The script is pathetic, the action is dull, the direction is inept, I didn't care what happened in the next few minutes, I didn't live with the main characters and that's too bad. The only thing that snapped me out of my lethargy was the mini-role of my favourite actor Djimon Hounsou, which is woefully inadequate for a two-hour film, admittedly. Overall, even the weak first Tomb Raider was better than this sequel. But The Cradle of Life has one thing that stands out, and that's probably the most embarrassing plot finale I've seen in years. That's why it was deservedly a commercial flop. ()

novoten 

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inglés One would say that when creators dare to make a sequel to a failed film, they do so with the intention of coming up with some refreshing ideas and bringing some innovation. However, compared to the second installment, the original Tomb Raider looks like a magnificent and profound film. This is a total disaster that definitively sunk the potentially attractive character of Lara and moreover probably destroyed Chris Barrie's possible late Hollywood career. Complete nonsense with unremarkable actors (including Angelina), confusing action, and dreadful effects. Never again. Perhaps only in a remake. ()

DaViD´82 

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inglés Compared to the first movie, this is ever so slightly better, not in terms of quality, but entertainment. It certainly isn’t such sleep-making boredom as last time. The screenplay is even worse and dumber. However, the production design and directing have considerably improved. The result is spoiled by the movie being too long, and the “dialogs" and the scenes aren’t even up to B-movie quality. Particularly Lara versus the shark is an experience for connoisseurs who like falling off their seats with laughter at the expense of the creators (or was this a clever nod to the cult scene from Zombie Flesh Eaters?). Again it is Angelina Jolie who carries this picture on her shoulders, well supported by Chris Barrie. This second jab at becoming a second Indy fails again. ()

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