Terror a 47 metros: El segundo ataque
47 Meters Down: Uncaged
47 Meters Down: Uncaged
47 Meters Down: Uncaged
Director:
Johannes RobertsCámara:
Mark SilkMúsica:
tomandandyReparto:
Sophie Nélisse, Nia Long, John Corbett, Brec Bassinger, Davi Santos, Khylin Rhambo, Brianne Tju, Sistine Rose Stallone, Corinne FoxxSinopsis(1)
A la adolescente Mia no le apetece mudarse a México con su padre, Grant, y su nueva familia. Con Grant trabajando como investigador en una antigua ciudad maya que está sumergida bajo el agua, Mia se ve obligada a pasar tiempo con su hermanastra Sasha. Aburrida y sin supervisión, Mia, Sasha y sus dos amigas se adentran en la cueva submarina en la que Grant está trabajando. Oculto durante siglos, el lugar de entierro maya sumergido es hermoso y desconcertante, pero pronto se vuelve mortal cuando las chicas descubren que no están solas. Están rodeadas por enormes tiburones blancos amenazadores y atrapadas en una cueva que pronto podría ser su tumba. (Tripictures)
(más)Videos (12)
Reseñas (4)
Una producción atractiva de serie B, con bonitas cuevas submarinas y chicas Tomb Raider con el pantaloncito mojado, sin aletas. Incluso el depredador tiene un aspecto aterrador y da un gran susto. Pero aparte de eso, aquí pasan cosas que ni siquiera ha visto el tiburón de Nueva York bajo el terror de los zombies. No puedo creer que los creadores pudieran ir en serio, y mucho menos que estuvieran detrás del hilarante número uno.
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I admit that I quite enjoyed this horror spectacle. The creators made some mistakes and illogicalities, but who cares? I felt cold at the thought of wandering somewhere in the mysterious depths of a labyrinth of underwater caves with limited oxygen and a shark at my back. I certainly wasn't bored, so I'll turn a blind eye to the unlikely and greatly overdone ending. However, the choice of locations in which the filming took place is certainly worthy of praise. (60%)
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Like the first one, not quite a typical shark horror film, which again takes place deep underwater. This time in the ruins of a flooded Mayan city, a visually refreshing element, but unfortunately also the film's biggest weakness. It spends most of its time just wandering cluelessly in the murky underwater caves, and instead of evoking a sense of dread of sharks lurking in the dark, it spends most of its time focusing on the main characters' (indistinguishable in their diving masks) efforts to get out. The sharks are blind this time, and so the tension should logically come from whether the characters can be sufficiently “quiet” in their presence. Surprisingly, the film doesn't work with this very consistently. The shark attacks are often unrelated to how much anyone moves, and are staged more in the form of random scares. The tension only slightly kicks in at the action-packed conclusion, when we move to the open sea and the still-slow sharks pick up full speed. But then it becomes a typical shark horror movie. So the attempt to make a shark version of The Descent didn't really work.
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The premise could work if we were to automatically accept the fact that filmmakers prefer fooling around with sharks rather than, like Jaws, introducing strong characters that won’t end as generic fodder for the toothy threat. The claustrophobic setting in a cave offers a few possibilities for tense and untried scenes, but what prevails in the final result is a literal twilight of originality that gives way to chaotic effects and a bizarre action-packed ending. Another pointlessly dark sequel with unremarkable protagonists that makes me feel like getting another beer and watch Spielberg’s masterpiece for the twentieth time.
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