Director:
Aneesh ChagantyCámara:
Hillary SperaMúsica:
Torin BorrowdaleReparto:
Sarah Paulson, Kiera Allen, Onalee Ames, Pat Healy, Carter Heintz, Sara Sohn, Clark Webster, Conan Hodgkinson, Erik Athavale, Bradley SawatzkySinopsis(1)
Dicen que el amor de una madre es para siempre… pero para Chloe esto no es un consuelo, sino una amenaza. Hay algo extraño, incluso siniestro en la relación de Chloe (Kiera Allen) y su madre, Diane (Sarah Paulson). Diane ha criado a su hija completamente aislada, controlando cada uno de sus movimientos, pero Chloe pronto empezará a descubrir los oscuros secretos que guarda su madre… (DeAPlaneta)
(más)Reseñas (9)
Como episodio de 50 minutos de la serie «Las malas madres», Mamá te quiere sería más útil. Para ser un largometraje, carece por completo de una presentación de los personajes y de su inicialmente sana relación madre-hija. Comienza enseguida con las sospechas y el debilitamiento de la confianza. Psicológicamente, la película funciona mal, arrastrada solo por las escenas de suspense que siguen las plantillas clásicas del género. No es aburrido, pero no cumple con su potencial.
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Earlier this year I saw the nicely edited trailer for Run, the story looked familiar and predictable, but the name of Aneesh Chaganty, the director of the excellent Searching, made me believe in it, and I told myself: “I’m sure he’ll come out with a shocking twist, it’ll be great, like his début”. But alas. Run is well made, it’s tense and with good performances and it makes you invested in the heroine, it’s also well written, so the behaviour of the characters doesn’t make you shake your head in disbelief, but what’s the point when it all goes exactly in the direction that everyone can figure out already after reading the synopsis or watching the trailer. It still deserves thumbs up, though, everything is where it should be, but that’s all there is to it, and it’s not enough if we consider the sum of all the talent on screen.
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Two good actresses in a woefully predictable story. I'm quite surprised that Aneesh Chaganty made such a useless film after the brilliant and original Searching.
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I was really looking forward to Run and I'm satisfied, the only thing that disappoints me is that a lot of interesting scenes from the trailer were cut in the film for unknown reasons. However, of the pure thrillers this year, Run is undoubtedly one of the best. The film is built around two female characters, who are played to perfection. Sarah Paulson and Toni Collette are perhaps the only female actresses I like because of how they act and not because of their looks, and here they give their typical psycho performance that is more than a little unnerving. Kiera Allen as the daughter is also very believable and above all intelligent. I liked that Run doesn't wait for much and builds up an uncomfortable atmosphere from the start. There are some solid twists and interesting ideas, I was constantly in suspense as to how it would all play out, and I'm pleased with the denouement as well. Aneesh Chaganty has once again made a decent film. I had a great time. Story****, Action>No, Humor>No, Violence**, Entertainment****, Music****, Visuals****, Atmosphere****, Suspense****. 8/10.
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A very good King adaptation, but one that is not by King. The film is gripping, and the performances of the reliably great Sarah Paulson and debutant Kiera Allen contribute to this, as does the brisk script with no room for boredom, or the direction, which doesn't need lavish shots and makes the most of the minimum by perhaps "only" showing us an important thing a few seconds later than the protagonist.
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Resumiría este thriller con palabras de un clásico: «¿Y esto no es suficiente, Anton Pavlovich?»
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After reading the synopsis, Run reminded me of the TV series The Act and the classic film What Ever Happened to Baby Jane?, although I haven't seen either (yet), so it's nothing new in terms of story. Acting-wise, it is handled well ("Lana Banana" knows how to portray unstable characters) and it even managed to make me tense a few times. Yet I felt that a little more could have been wrung out of the premise to make this "toxic maternal love story" more intense at the end. Better three stars!
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An insanely instantaneous thing. Watchable, but a couple of hours after watching it I don't really know what to even mention, except perhaps that it features a pharmacist (who goes by the name of Kathy Bates, hee hee) who knows offhand that if someone eats a particular powder meant for dogs they'll lose feeling in their legs, but doesn't recognize the asthma attack happening right in front of her.
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The main strength of the psycho-thriller Run is the slowly thickening atmosphere and the excellent performances of Sarah Paulson and Kiera Allen. I devoured the film until about halfway through, but then there were a few clichéd twists that I could have done without. That is why, although I am very reluctant to, I have to take one star away from my originally intended four stars. (65%)
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