The Fifth Element
Director:
Luc BessonCámara:
Thierry ArbogastMúsica:
Eric SerraReparto:
Bruce Willis, Gary Oldman, Ian Holm, Milla Jovovich, Chris Tucker, Luke Perry, Brion James, Marie Guillard, Tommy 'Tiny' Lister, Lee Evans (más)Sinopsis(1)
En el siglo XXIII, Korben Dallas, un ex agente de las fuerzas especiales que ahora ejerce como taxista, se encuentra atrapado en una lucha en la que tendrá que desafiar a un malvado que quiere destruir la Tierra. Cuando una misteriosa mujer entra en el asiento trasero de su taxi, todo da un giro inesperado. Él es perseguido por el gobierno y por un poderoso magnate reclutado por las fuerzas del Mal. Esta mujer pelirroja que acaba de conocer resultará ser la clave para la salvación de la Tierra, conocida como el quinto elemento. (Sony Pictures Esp.)
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Reseñas (10)
Preciosa escenografía y una deliciosa Milla Jovovich con una irresistible media melena naranja. Luc Besson tiene una imaginación admirable. Pero el contenido de la película me dejó completamente frío. También como diversión sin compromiso.
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A pastiche of boredom and grayness, despite being artfully wrapped in loud colors. I think I might even have liked The Fifth Element... If it weren’t for one detail. Constant attempts at unintentionally infantile “humor". And I didn’t swallow Besson’s game of pretending that this has a large, rich and chiseled mythology behind it. The Fifth Element has its moments, but, considering how long it is, there are too few of them.
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The story, which takes us from 1914 to the 23rd century very quickly, has been waiting 20 years to be realized. It’s therefore not surprising that it is not accessible to everyone the first time they watch it. It's part parody of a parody and part celebration of fantasy. I am happy for Moebius and Maïwenn Le Besco.
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It's a real pity that Chris Tucker is involved. As entertaining as he usually is, here he is more annoying and ruins an otherwise great show with his performances. The same can be said about Besson himself, who, despite creating a wonderfully fantastic world with a fascinating mythology, couldn't hold back his imagination in the middle part, making the storyline feel a bit cluttered and rushed (especially regarding Corben's development). The biggest strengths of the film are, of course, the adorable Milla Jovovich and the slimy Gary Oldman.
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An incredibly colorful and visually stunning affair that entertains, occasionally even captivates, with its legendary wisecracks and visual-effect-laden, overexposed sequences. It also forces reflection on an interesting mix of genres and visual styles, with a plethora of movie stars overseen by Europe's directors and the scent of a legend, which this film has certainly become over the years. It's all too wild and crazy for higher ratings, but in many aspects, Luc Besson could teach his colleagues a lot with this film.
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