Saltburn

Un papel típico para el gran Barry Keoghan en una película de relaciones con matices de El Talento de Mr. Ripley, en el marco de La favorita con éxitos del Britpop. El panóptico de personajes de la familia rica, en el que se infiltra el personaje de Keoghan, no despierta, sin embargo, la comprensión, el interés o la simpatía del espectador, sobre el que recae la red crucial de sus relaciones con él, incluso para la dramatización de la película. Relaciones que simplemente no están bien establecidas. La película se convierte así en una construcción cínico-psicológica ambiciosa pero insuficientemente funcional, con pocas escenas interesantes y una ambigüedad constante que induce a la curiosidad. Al final, sin embargo, parece más bien el resultado de la misma dirección imprecisa con la que Emerald Fennell dirigió Una joven prometedora. (07.01.2024)

The second films of directors who pick up Oscar awards and nominations for their debuts are always eagerly anticipated, and in the case of Emerald Fennell, many people may be unpleasantly shocked to learn that Saltburn is essentially rubbish. A degenerate travesty with lifeless characters whose behaviour bears little resemblance to reality, but with plenty of at-first-signal provocative scenes. Does that bother you? Not at all. Because we don't often see junk this fancy and formally dressed up. One of the most stylish films of the year, but on the other hand, I imagine that if I watched it in a different mood, it might annoy me quite intensely. (23.12.2023)

The direction and the acting brilliantly build-up a mesmerizing sociopathic decadence towards... Well, that's really the only problem with the film. Towards what? (29.12.2023)

The talented Emerald Fennel strikes again and it's a blast. A decadent, provocative, twisted, slightly perverted piece of spectacle that mixes drama with thriller and with a slight nod to art. The film won me over, entertained me and in the end shocked me perfectly. Fennel has chosen a trio of the most talented young actors of today. Jacob Elordi has been great since Euphoria, Archie Madekwe has had a decent run after See and Gran Turismo, and Barry Keoghan, well he's a proven quality actor who even has one of the most prominent roles here as a weirdo, and he is really good. We follow a strange, lonely boy with no friends who goes to Oxford where befriends the coolest guy, a rich aristocrat who invites him to spend the summer holidays at his mansion with his eccentric family. All the characters are interesting. Rosamund Pike is also perfect. The dialogues (the explanation of the moth is sheer screenwriting perfection!), the mood is really weird, the drama turns into an uncomfortable thriller out of nowhere and that's only because of the pulsating music and chilling dialogues, this is what the director does well. The vampire play and the grave scene are quite unusual. But the final impression is made even better by the final half hour, which features two shocking twists that make this film memorable. It's been a long time since a twist has knocked me out like this. And to top it off, there’s a naked dancing Keoghan like the future Joker. Yes, this was good, but you have to be prepared for it. 8/10. (24.12.2023)