Director:
James MangoldGuión:
Patrick O'NeillCámara:
Phedon PapamichaelMúsica:
John PowellReparto:
Tom Cruise, Cameron Diaz, Peter Sarsgaard, Jordi Mollà, Viola Davis, Paul Dano, Marc Blucas, Maggie Grace, Dale Dye, Celia Weston, Gal Gadot, Brian Tarantina (más)Streaming (4)
Sinopsis(1)
Él era un astuto espía en fuga. Ella era una desventurada transeúnte de camino a una boda. Sus caminos no tendrían que haberse cruzado nunca, pero cuando lo hicieron, los desvió completamente de rumbo. Ahora se encuentran en una persecución sin descanso mientras les intentan atrapar juntos en un mortal y engañoso incidente de espionaje. Él anda tras ella como su señuelo, agentes secretos de todos los bandos le buscan a él por traidor, y ella busca la verdad sobre lo que hay detrás del breve flirteo con un apuesto desconocido en un aeropuerto y que ha desencadenado una espeluznante caza por todo el mundo con múltiples engaños, huidas por los pelos, identidades falsas y confianza ciega. Toda una aventura que puede resultar en el crimen del siglo o la relación romántica de su vida. (20th Century Fox España)
(más)Videos (15)
Reseñas (10)
Podría haber sido un éxito en la década de 1990. Hoy, parece una película de la cual Sr. y Sra. Smith son su nueva versión refrescante (y no solo porque la pareja tiene sexo). Mangold maneja bien la dinámica, la acción y sabe trabajar con los actores, pero para este género está pasado de moda.
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These two are absolutely wrong for each other, plus I find her extremely unlikable (but honestly I wasn't paying attention, so I didn't look at her cute little face that much). He's also not high on my list of cute guys. But as a movie where you don't need an IQ higher than 70, it held up beautifully. I had fun, it flew by, it dispensed with the emotional garbage. I'd say the film is a decent representative in its category – I don't want to think too much, I want to be entertained and have a good meal.
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A perfect echo of the 1990s and the definition of a "summer film." The plot is from the ranks of primitive, overdone action scenes and most importantly a functioning central duo. Cruise plays himself, so he’s entertaining in the right way in the light-hearted atmosphere, and Diaz proves that playing a naive whiny blonde is not all that easy. It's too bad that it’s so predictable, or the feeling you get that the film won't surprise you with anything. This is John Powell's best music since The Bourne Ultimatum. 3 ½.
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It’s all boom, bang, and zoom, and a middle-aged Barbie and a middle-aged Ken are all mwah, mwah. And all this happens quite stylishly, in 90s trappings and with the excellent idea of watching everything from June's point of view and not Roy's. It's just a shame about the great imbalance between the scenes and about Cruise. It’s not that he's not bad, but Ben Stiller would have been better for the role.
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Undemanding entertainment that relies on Tom Cruise and Cameron Diaz. Cruise has played a decent number of similar invulnerable and indestructible agents, and here he can take advantage of his acting routine and audience expectations. Similarly, Cameron Diaz has played countless similar naive characters in her career. My problem with these types of films is that they are desperately predictable and have a terribly formulaic and simple script. In the airplane scene, Cruise takes down ten opponents without breaking a sweat, but the audience knows very well that if the plane were fully occupied and he faced 150 enemy agents, the outcome would inevitably be the same. A few decent lines and two or three interesting scenes where the story momentarily deviates from the template, like the scene where our hero shoots his enemy in the leg, can't save it. Knight and Day is exactly the kind of film where a fraction of a second after a new character appears, you can identify them as the main villain, even though this "surprise" is saved for the end by the screenwriter. Overall impression: 40%.
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