The Covenant

La testosterona se encuentra con el carácter. Guy Ritchie eclipsa la película de género de acción pura de Berg El único superviviente porque no es solamente una película de género de acción pura. Tiene una historia más fuerte, o mejor dicho, de la historia que tiene, sabe hacer un espectáculo dramáticamente más profundo con una superposición de ideas. Los disparos están en el segundo lugar. Reparto muy bien elegido y de nuevo, una actuación fantástica de Jake Gyllenhaal. Motivo Buddy con Dar Salim, minimalista en gestos, pero aún más poderoso en su esencia. Compromisos y principios en un código masculino irrebatible. (19.05.2023)

En los últimos años, Guy Ritchie ha sido un cineasta inesperadamente interesante que, además de tonterías comerciales bien ejecutadas, de vez en cuando hace una película "más pequeña", algo cruel y muy honestamente realizada. Después de Gentlemen (Los señores de la mafia) y Despierta la furia, viene con El pacto (The Covenant), que no es necesariamente lo mejor del trío mencionado, pero al menos logró transformar un soplo de energía creativa en la experiencia posterior del público. En la primera mitad, Ritchie cuenta un drama bélico casi procedimental, solo para cambiar al modo de John Woo y su exagerada acción de "bromance" en la segunda mitad, que culmina en un largo montaje fetichista del inconmensurable esfuerzo físico y emocional que un compinche puede hacer para salvar al otro. (28.05.2023)

A macho story about commitments that are really important in life and should be fulfilled. With a minimum of words, but an ideal amount of gestures and decent music as support. Ritchie's directorial finesse is nowhere near Spielberg's or Scott's, so the gunfights are rather generic, full of annoyingly digital effects (what else could we ask for 55 million dollars?) and certainly not the main draw of the film, but at least he delivers another solid adult film with emotions, suspense and without pathos after post-modern bullshit like King Arthur or Sherlock Holmes. The Covenant will probably get lost among war movies because there’s is too little war and the depiction of Eastern terrorists is not as catchy and dynamic as in, say, The Kingdom, nor as meticulously detailed as in Zero Dark Thirty, but in terms of content, it is is relatively strong, simple and straightforward. (02.06.2023)

Guy Ritchie and his war movie The Covenant! Anyone who likes these modern Afghan war dramas will not be disappointed here. It may not surpass it's related brethren in terms of genre, but it maintains a similar high standard of craftsmanship and that's the most important thing. The first half hour is slower, but then it picks up decently with a cool action sequence involving a Taliban ambush, culminating in an uncompromising survival drama with two great actors – Jake Gyllenhaal and Dar Salim (great chemistry, fatality, manly words). It is a very suspenseful sequence with a thumping soundtrack where the viewer is slowly left breathless. The second half is a little different, but definitely not bad. Gyllenhaal shows off his acting skills to the max, and even though the action drops, it's still a very engaging and high quality film that culminates in another action intensive finale on a bridge. There's not much to fault the film, there's simply everything you'd expect from an proper and well made modern actioner. Admittedly I don't quite have the urge to see The Covenant again straight away as I did with 13 Hours of Benghazi or Lone Survivor, for example, which I have a notch above. But this one too is a great flick that shouldn't offend anyone. Ritchie is awesome and an expert on macho movies. Leave the women in the kitchen and The Covenant with a beer won’t disappoint. 8/10. (26.05.2023)

Another classy and focused Ritchie flick. As with Wrath of Man, this is not a lightweight, verbally refined stylistic feature, but direct and vigorous male-driven action with minimal dialogue, this time paying tribute to Afghan interpreters. Although it is not based on a true story, it feels very realistic, with the highlight being the chase with ragheads in the mountains about halfway through. The tension can be cut and the technically perfect Michael Mann-style action is breathtaking. The warfare is bloody, grounded, and even the barracks feel very realistic, more like a non-production area in a factory than a modern control centre. Gyllenhaal is economical and doesn't take credit from Dar Salim, as his unassuming mechanic with a family and a baby on the way is the real main character here. There's nothing much more to the story than what's in the synopsis, but it's really about a man's word and his commitment to help someone who got you out of some shit. (10.05.2023)