El origen del planeta de los simios

Poco a poco, las miradas de los simios se vuelven gradualmente más sinceras y elocuentes que las miradas de los actores vivos, e inicialmente el personaje principal, el científico James Franco, y sus compañeros, se convierten en personajes de fondo. En otras palabras: Rise of the Planet of WETA. El encanto cinematográfico de los mundos de fantasía, el desarrollo rápido, muchas ideas visuales y de guión, acción perfecta, montones de emociones, ecomensajes decentemente esbozados y, lo más importante, una imagen positiva constante para sentirse bien sin necesidad de oscuridad y violencia, aunque habla de cosas serias. No es posible que durara solo un poco más de 100 minutos. Es una película que me gusta mucho, para mí, como espectador, fue una experiencia perfecta y la superproducción más placentera desde mediados de los años noventa (Parque Jurásico, Twister). Y yo pensé que soy yo que no puedo volver allí... (29.07.2011)

El origen del planeta de los simios es un regreso civilizado a la atmósfera de los años sesenta con una superposición de gran alcance y trucos de clase, principalmente aportados por el brillante Andy Serkis. Irónicamente, es tan humana, inteligente, llena de emoción y con muchos guiños a los fans de El planeta de los simios con Heston. Una sorpresa realmente agradable, y le deseo mucho éxito. (29.07.2011)

Leaving aside Green Hornet, which came out in winter, this is the first blockbuster of the year that managed to not only meet my expectations, but to surpass them, too. If you really wanted to dig into it, you’ll find loads of inconsistencies in logic, but this film is so entertaining, genuine and emotional that I will not get into that. The old classic can be glad to have such a good young sibling, It has nothing to be ashamed of. I loved the references and I would love to take little Caesar home :) (15.08.2011)

Along with X-Men, this is the second blockbuster this year that pushes the envelope in spectacular ways (WETA studio has once again pushed the boundaries of the impossible) while not being afraid to be clever. There may be some reservations regarding it, but we will see after the second screening. Very soon. [PS: When I heard the word "No!" my heart stopped for a few seconds.] (21.08.2011)

The film objectively has enough flaws (logical missteps, sometimes strange editing, a few unnecessarily cheesy scenes). But it deserves great respect for its childish enthusiasm and completely anachronic use of tricks. I haven't enjoyed the liveliness and soul of trick sequences this much in a long time... as if Rise of the Planet of the Apes was actually going back to the 1960s, when every trick was a little joyful miracle. Personally, this film reminded me of why I love science fiction so much (that uplifting feeling of magical escape from the everydayness) and surprised me very pleasantly by resigning on the theme of direct civilizational conflict. In short, we follow the spontaneous demise of the old community and the resulting birth of a new community, which has, much more than the features of the classic apocalyptic sci-fi elements, features of a romantic story of a lone monster and its naive creator. At the same time, the film establishes the opportunity to tell the whole series again (including a reference to the unfortunate flight of Icarus), which makes me happy after watching this intimate, emotional and outwardly pleasurable spectacle. (29.07.2011)